Tuesday, November 20, 2007

Shaping Young Minds

A teacher should try to be a positive influence on his or her students. It is very important for the instructor to help expand the student's interests and broaden their way of thinking.

I have noticed that my daughter Melody, a freshman at UK, has been exposed to a liberal political agenda by some of her teachers. I know that their goal is to shape her political leanings. Their influence now on the young skulls full of mush may affect future elections and aid their own agenda.

With this teaching concept in mind, I now strongly suggest to my music students that they wear a Cincinnati Bengals Santa Claus hat when we practice playing jazz Christmas carols. I make sure that the surrounding environment for their lessons includes as much "Who Dey" indoctrination as possible.


Kathryn, Franklin, Ariel, Ty and Zack

If in some small way I can shape their football loyalty and make them become better Bengals fans for the future, I feel that I have done my job. My hope is to create as many Bengals fans as possible so that the future street value of my Bengals season tickets will provide me the opportunity to sell them for a nice profit and provide me a comfortable retirement income. Like the UK instructors, I have a plan.

Saturday, November 17, 2007

Fun At Giuseppe's Ristorante Italiano

Everyone enjoys an evening at Giuseppe's Ristorante Italiano. I have met many new friends through the years while playing my sax at the restaurant. I am in the process of gathering the many photos I've taken of the great folks I have seen there. Click here to view part of collection.

Thursday, November 15, 2007

Yogi Berra On Jazz

I received the following Yogi Berra interview transcript in an email from a musician friend. I'm not sure if this is legitimate, but it is funny nevertheless.

Interviewer: Can you explain jazz?

Yogi: I can't, but I will. 90% of all jazz is half improvisation. The
other half is the part people play while others are playing something
they never played with anyone who played that part. So if you play the
wrong part, its right. If you play the right part, it might be right if
you play it wrong enough. But if you play it too right, it's wrong.

Interviewer: I don't understand.

Yogi: Anyone who understands jazz knows that you can't understand it. It's too complicated. That's what's so simple about it.

Interviewer: Do you understand it?

Yogi: No. That's why I can explain it. If I understood it, I wouldn't
know anything about it.

Interviewer: Are there any great jazz players alive today?

Yogi: No. All the great jazz players alive today are dead. Except for
the ones that are still alive. But so many of them are dead, that the
ones that are still alive are dying to be like the ones that are dead.
Some would kill for it.

Interviewer: What is syncopation?

Yogi: That's when the note that you should hear now happens either
before or after you hear it. In jazz, you don't hear notes when they
happen because that would be some other type of music. Other types of music can be jazz, but only if they're the same as something different from those other kinds.

Interviewer: Now I really don't understand.

Yogi: I haven't taught you enough for you to not understand jazz that

Wednesday, November 14, 2007

National Public Radio's "Jazz Profiles"

Jazz vocalist Nancy Wilson is the host of NPR's "Jazz Profiles", a wonderful jazz documentary series. The show ran from 1996 to 2005 and featured many of the best and most influential jazz musicians in history. Wilson hosted nearly 200 episodes of the broadcast. The series and Wilson were recipients of many awards including the prestigious Peabody Award in 2002.

The series is now offered as a free podcast and can be found on iTunes. Each week a new episode is made available for download. I enjoy every one of them and look forward each week to the next release. They are both educational and entertaining and a "must have" for jazz fans owning an iPod.

Click here to visit the NPR site for subscription information.

Sunday, November 04, 2007

Chuck Mangione Gig

Onstage With Chuck During The Soundcheck

What a treat it was for me to play for the Cardiology Associates of Kentucky's 19th Annual Evening With The S*T*A*R*S. This year's extravaganza featured the legendary jazz composer and flugelhornist Chuck Mangione.

Not only was it cool meeting Chuck, but it was a thrill hanging out with woodwind ace Gerry Niewood. I had not heard Gerry in many years, but immediately recognized him when he arrived early for the sound check. He looked just like he did on the old 1970's Mangione album covers. Gerry played wonderful flute, soprano and tenor sax throughout and is a delightful person to be around.

Gerry Niewood & Me

After my set, the evening included a short charity auction. Kentucky country music star John Michael Montgomery was in attendance and donated a signed guitar, the cowboy hat he was wearing, and a kiss to the winning bidder. The winning bidder paid $3300. I did not bid.

With John Michael Montgomery

I saw friends David Hummel, Sue Slocum, Kelly Vee, and Doug Martin in the audience and enjoyed visiting with them very much. They were also excited about hearing and meeting Chuck.

I found Chuck's biography from Allaboutjazz.com to be excellent:

For more than five decades, Chuck Mangione's love affair with music has been characterized by his boundless energy, unabashed enthusiasm, and pure joy that radiates from the stage.

Mangione first attracted attention with his brother, Gap, in a mainstream jazz band, The Jazz Brothers, in which he played trumpet much like that of the man who he refers to as his musical father-Dizzy Gillespie. In fact Dizzy gave Chuck an 'updo' horn just like his own.

Chuck's years with the Jazz Brothers overlapped with his attending the Eastman School of Music and eventually resulted in his solo album debut. Chuck left home to play with Art Blakey and the Jazz Messengers, assuming the trumpet chair that had belonged to such great players as Clifford Brown, Kenny Dorham, Bill Hardman, Lee Morgan and Freddie Hubbard.

Another important step in Mangione's career development was his return to the Eastman School of Music as director of the school's Jazz Ensemble. His “Friends & Love” concert with the Rochester Philharmonic Orchestra was recorded live and featured “Hill Where the Lord Hides.” This led to a recording contract with a major label, Mercury records, and his first Grammy nomination.

Those early years with Mercury culminated in the title tune of one of Mangione's most popular albums. Land of Make Believe, another Grammy nominee, Mangione then signed with A&M Records and delivered two extremely successful releases in one year, Chase The Clouds Away, which was used as background music during the telecast of the 1976 Olympic Games; and Bellavia (”beautiful way”), named to honor his mother, which won Mangione his first Grammy award.

During the late 1970's, Chuck received more awards and accolades for his recordings. He reached new heights with his mega-hit single and album, Feels So Good. The 1980 Mangione entry in Current Biography called ”Feels So Good” the most recognized melody since the Beatles' “Michelle.” The Children of Sanchez double-album soundtrack won the Hollywood Foreign Press Association's Golden Globe Award, then earned Mangione a second Grammy award.

In 1980 maximum impact was achieved in front of an ”intimate” television of several hundred million when Chuck's “Give It All You Got” was heard around the world as the theme of the Winter Olympics in Lake Placid which he performed live at the closing ceremonies.

Mangione was also busy with personal projects during the 1980's. He hosted an 8-hour concert featuring jazz legends Dizzy Gillespie and Chick Corea, which benefited the Italian earthquake Relief Fund.

The '80's were exceptionally full years for Chuck. Having signed with Columbia Records he released several albums, including Love Notes, Journey To A Rainbow, Disguise, and Save Tonight For Me. Another highlight was working out with the New York Yankees at their spring training camp at the invitation of his friend and fan, George Steinbrenner. Chuck was often seen playing the National Anthem at Yankee Stadium and All Star games in San Francisco and Chicago. There was also “Salute to Chuck Mangione” a one-hour TV special hosted by Dick Clark; numerous performing and conducting dates with symphony orchestras across the country, plus television interviews on The Tonight Show, Larry King, Soul Train, Solid Gold, and many others.

In 1989, Chuck released two live albums, “The Boys From Rochester,” featuring Steve Gadd, Gap Mangione, Joe Romano and frank Pullara, plus a double album, Chuck Mangione Live at the Village Gate. Following these releases, and more than 25 years of one-nighters around the world, Chuck Mangione stopped playing.

Many people point to the death of Dizzy Gillespie as the event that propelled Mangione back into music. In 1994 chuck scheduled a whirlwind of activity that included recording sessions for two new albums, a series of nightclub performances by himself and other jazz favorites which featured his “Cat in the Hat” matinees for kids (they continue to draw SRO audiences and raves from critics, parents and kids alike). Four major orchestra dates in upstate New York helped create an endowment fund in honor of his father, Papa Mangione, and musical father Dizzy Gillespie, for the Rochester School of the Arts.

Chuck is currently caricatured on the Fox TV hit show, King Of The Hill.He is the celebrity spokesman for “Mega-lo-mart” and scored the music for the 1998 Valentine's Day episode.

When Chuck performed in Poland for the 1999 Film and Jazz Festival, his composition “Children of Sanchez” brought the audience to its feet. Unbeknownst to the composer, the piece had become somewhat of an anthem during the struggle for democracy and many in the audience were in tears, holding their hands over their hearts.

In the year 2000 Chuck made his first ever appearance in Korea to SRO audiences where Feels So Good has been the top requested instrumental hit for the past twenty years. He returned to Seoul in 2001 and was performing there when 9/11 happened.

Chuck has recorded two albums for Chesky Records. The Feelings Back & Everything For Love.

His 60th Birthday Bash Concert at the Eastman Theater in Rochester New York raised over $50,000 for St. John's Nursing Home.

Recently Smooth Jazz stations throughout the U.S. recognized Chuck Mangione's “Feels So Good” as their all time #1 song.

November 29, 1940